本文選題：白銀時(shí)代 + 文學(xué)　； 參考：《遼寧大學(xué)》2017年碩士論文

【摘要】：18世紀(jì)末19世紀(jì)初,俄國(guó)興起了古印度文學(xué)及佛法典籍,白銀時(shí)代的精英們開始將目光投向神秘的東方。他們將主要精力用于佛教道教的研究,繼而創(chuàng)作出無(wú)數(shù)富有新意的作品。象征派的先驅(qū),詩(shī)人巴爾蒙特就寫過(guò)不少蘊(yùn)含道教思想的詩(shī)歌,如:《煙》《風(fēng)》《偉大的虛無(wú)》。對(duì)東方宗教深有研究的布寧也寫過(guò)不止一篇與佛教有關(guān)的作品,如短篇小說(shuō)《四海之內(nèi)皆兄弟》《帝都》等。布寧一生都對(duì)東方佛教懷有濃厚的興趣。東方佛教思想及與其相關(guān)的宗教、歷史、倫理道德和美學(xué)觀念在布寧的作品中占有極其特殊的地位。勃洛克的象征主義戲劇,如《命運(yùn)之歌》,也包含豐富的佛教元素�？梢�,東方宗教在白銀時(shí)代作家的創(chuàng)作中有著舉足輕重的地位。本文的研究對(duì)象即為俄羅斯白銀時(shí)代文學(xué)中的佛教和道教元素。論文的題目:《俄羅斯白銀時(shí)代文學(xué)中的佛教和道教元素》。論文結(jié)構(gòu):由引言、正文、結(jié)束語(yǔ)、參考書目和致謝等構(gòu)成。引言中闡述選題的意義,研究的主要內(nèi)容與方法,將要達(dá)到的研究目的以及本課題研究的理論意義與現(xiàn)實(shí)意義。第一章《白銀時(shí)代的俄羅斯文學(xué)》分為三小節(jié):第一小節(jié)論述白銀時(shí)代對(duì)俄羅斯文學(xué)的意義;第二小節(jié)分析白銀時(shí)代俄羅斯文學(xué)的現(xiàn)代主義流派及其特點(diǎn);第三小節(jié)探討白銀時(shí)代作家的精神探索。第二章《白銀時(shí)代俄羅斯文學(xué)中的東方形象》分為兩小節(jié):第一節(jié)論述白銀時(shí)代俄羅斯文學(xué)中的東方主題:第二小節(jié)分析白銀時(shí)代俄羅斯文學(xué)中東方的表現(xiàn)形式。第三章《白銀時(shí)代俄羅斯文學(xué)與東方宗教的關(guān)系》分為三小節(jié):第一小節(jié)闡述佛教和道教的主要思想;第二小節(jié)討論佛教和道教對(duì)白銀時(shí)代俄羅斯文學(xué)的影響;第三小節(jié)說(shuō)研究白銀時(shí)代對(duì)東方宗教關(guān)注的原因。第四章《白銀時(shí)代俄羅斯文學(xué)作品中的佛教和道教元素》分為四小節(jié):第一小節(jié)研究白銀時(shí)代俄羅斯文學(xué)作品中的佛教和道教形象;第二小節(jié)以布寧的短篇小說(shuō)為例,闡述其作品中的佛教世界體系;第三小節(jié)以巴爾蒙特的詩(shī)歌為例,闡述其詩(shī)歌中的道教形象;第四小節(jié)以勃洛克的戲劇創(chuàng)作為例,分析其戲劇中的佛教元素、人物形象體系及其思想意義。結(jié)束語(yǔ)總結(jié)全文內(nèi)容,得出以下結(jié)論:1)文學(xué)與宗教之間存在密切的關(guān)系。白銀時(shí)代俄羅斯作家對(duì)東方宗教發(fā)生了濃厚的興趣并將其融入到作品中,形成了獨(dú)特的審美風(fēng)格;2)這一時(shí)期俄羅斯文學(xué)中佛教和道教的形象是表現(xiàn)俄羅斯民族精神和社會(huì)生活的獨(dú)特形式,宗教元素為白銀時(shí)代的俄羅斯文學(xué)增添了特殊的色彩;3)東方宗教深入白銀時(shí)代俄羅斯的文學(xué)生活及社會(huì)生活,影響了俄羅斯的思想,帶來(lái)了不一樣的世界觀、價(jià)值觀和人生觀。
[Abstract]:At the end of the 18th century and the beginning of the 19th century, the ancient Indian literature and the Buddhist classics arose in Russia, and the elites of the Silver Age began to look to the mysterious East. They devoted their energies to the study of Buddhism and Taoism, and created numerous innovative works. The forerunner of symbolism, the poet Barmont, wrote many Taoist poems, such as smoke, Wind, Great nihility. Bunin, who has studied oriental religions, has also written more than one Buddhist work, such as short stories, "all brothers in the world", "the Emperor's Capital", and so on. Bunin had a strong interest in Oriental Buddhism all his life. Oriental Buddhism and its related religious, historical, ethical and aesthetic concepts play a special role in Bunin's works. Bullock's symbolic plays, such as the Song of Destiny, also contain a wealth of Buddhist elements. Thus, Eastern religion plays an important role in the creation of writers in the Silver Age. The object of this paper is the Buddhist and Taoist elements in the literature of the Silver Age of Russia. Title of the thesis: Buddhist and Taoist elements in Russian Silver Age Literature. The structure of the thesis is composed of introduction, text, conclusion, bibliography and thanks. In the introduction, the significance of the topic, the main contents and methods of the research, the purpose to be achieved and the theoretical and practical significance of the research are described. The first chapter "Russian Literature in Silver Age" is divided into three sections: the first section discusses the significance of the Silver Age to Russian literature, the second section analyzes the modernist schools and their characteristics of the Silver Age Russian Literature; The third section explores the spiritual exploration of writers in the Silver Age. The second chapter, the Oriental Image in the Russian Literature of the Silver Age, is divided into two sections: the first section deals with the oriental theme in the Russian Literature of the Silver Age, and the second section analyzes the forms of expression of the Orient in the Russian Literature of the Silver Age. The third chapter, the relationship between Russian Literature and Oriental Religion in the Silver Age, is divided into three sections: the first section expounds the main ideas of Buddhism and Taoism, the second section discusses the influence of Buddhism and Taoism on the Russian literature of the Silver Age. The third section discusses the reasons for the study of Eastern religions in the Silver Age. Chapter four "Buddhist and Taoist elements in the Russian Literature of the Silver Age" is divided into four sections: the first section studies the Buddhist and Taoist images in the Russian literature works of the Silver Age, the second section takes Bunin's short stories as an example. The third section takes Barmont's poems as an example to illustrate the Taoist image in his poems, and the fourth section takes Bullock's dramatic creation as an example to analyze the Buddhist elements in his plays. Character Image system and its ideological significance. Conclusion: 1) there is a close relationship between literature and religion. In the silver era, Russian writers developed a strong interest in eastern religion and incorporated it into their works. The images of Buddhism and Taoism in Russian literature during this period are the unique forms of expressing Russian national spirit and social life. The religious elements added a special color to the Russian literature of the Silver Age. 3) the oriental religion went deep into the literary and social life of Russia in the Silver Age, influenced Russian thought, and brought different world outlook, values and outlook on life.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I512.06

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 趙淑賢;“白銀時(shí)代”的俄羅斯文學(xué)[J];黑龍江社會(huì)科學(xué);2005年01期

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本文編號(hào)：2104098